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BC Winter Festival 2000

March 28th, 2002 by

BC Winter Festival 2000So Much Beauty: The Big Chill Winter Concert 2000

‘Sometimes there is so much beauty in the world… I find I can’t take it.’

Two months ago those words came out of nowhere and lodged in my head. I was listening to Nick Philip’s set for the Big Chill in Naxos, after an idyllic day of lazing in the sun, when he dropped this sample from ‘American Beauty’ into the mix. The sense of connection with a fundamental truth was almost overwhelming.

Last night those words came back to me with redoubled force. Once again I was with the Big Chill, only this time in the Union Chapel in Islington, at the end of a long day of office work, grisly London travel and winter weather. But in the face of the unique mix of sounds, sights and people that is the Big Chill, those day-to-day concerns melted away… I found myself in the presence of beauty.

And once again the sense of connection was profound. As Pete Lawrence set the mood for the evening with a blissful opening set of pure mood music, a deep sense of human connection settled on me. On my left were two friends who several years ago were the first to tell me about the Chill. On my right was someone I hadn’t seen for six years. In front of me was Nick Philip. All around me were smiles.

The even greater connection was with a primal sense of creation. I know that’s a word with religious overtones, but no other will do.

For last night did feel like an act of worship, not least because we were sitting in a candlelit church, a large screen of Muffled Visions’ projected visuals before our eyes and a soaring, vaulted ceiling over our heads. Within this setting, all the music played took on a celebratory aspect – a celebration of the beauty that can either be found in this world or created from it.

Certainly Piano Circus make music that is nothing if not beautifully poised and pure. Six pianos in a circle, three male pianists, three female – as performers, they balance and counterpoint each other in a wonderfully precise manner. And the same goes for the music they make. ‘Mazuzu Dream’, their concluding piece last night, was just that – a dreamy and joyful romp through a whole range of rhythms. You might already know this piece from the Big Chill’s ‘Enchanted 01′ CD, but it was clearly designed with live performance in mind. Last night it was stunning.

Not surprisingly, however, the real heart of the evening belonged to Tom Middleton’s Amba, his electro-acoustic ensemble. This is where words, for once, begin to fail me. A thirty-strong choir, long washes of ambient strings, deep deep bass tones… all I can say is that it gave me goosebumps then and just thinking about it now gives them to me all over again.

I sat through the first movement of ‘Obselon Minos’, with its grandfather clock beat, simply pinned to my seat. When the more melancholy ’12:18′ followed, I found myself weeping. I felt pierced to the core by all this beauty – the scenes from nature projected above the choir, the human voices coming together, the mysterious warmth of electronic music – and by its fleeting nature. In a blink it was all over.

Life is definitely too short to have this kind of experience only once, so I will be returning tonight. There is so much beauty in this world… and sometimes I can take it.

Freddie B., December 2000

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BC Winter Festival 2000

March 28th, 2002 by

BC Winter Festival 2000The Big Chill Winter Festival
Thursday 7th to Sunday 10th December 2000

The Big Chill Winter Festival of December 2000 was the first of what we hope will become an annual fixture in the calendar.

Dates included:
- two nights at Union Chapel featuring Tom Middleton’s Amba in a specially commissioned collaboration with a 40-piece choir
- an audiovisual cinema night featuring Hefner’s London debut live show
- The Big Chill’s first ‘proper’ knees-up style party for years

?Winter and Festival may seem like a contradiction in terms; but then, The Big Chill have been making up their own rules for years.?
Time Out

? A four day winter festival that never underestimates the intelligence or sense of adventure of its audience. It’s a long way from anything you’ll experience in clubland this weekend and that’s part of the attraction.?
Time Out

?For many, the Big Chill’s critically acclaimed Enchanted Garden festival now ranks up there with Glastonbury as the must-buy-ticket of the summer. But if you haven’t made it down to the genuinely enchanted Larmer Tree Victorian Pleasure Gardens near Salisbury in Wiltshire, then you must check out the Big Chill’s first Winter Festival in London. Four nights of events kick off on Thur 7 and Fri 8 Dec, when the Big Chill’s return to their spiritual home, the Union Chapel N1, for two nights of live performance pieces for a 40 strong choir and what the Chill people call an ‘electro-acoustic ensemble’. Sat 9 Dec is more like the full-on Big Chill clubbing experience with acts like the Blue States, Paul Thomas, London Elektricity and Pete Lawrence. Or Chill-out on Sun10 Dec with cult films, DJs, VJs and live music from Hefner. Unmissabubble.?
Tim Marsh, Evening Standard

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BC Winter Festival 2000

March 28th, 2002 by

BC Winter Festival 2000Total Immersion 2: Big Chill Cinema
Sunday 10th December 2000

FILMS:

Modulations: Cinema For The Ear
Directed by Lara Lee, produced by George Gund

From the makers of ‘Synthetic Pleasures’ , comes ‘Modulations’, a film that traces the evolution of electronic music as one of the most profound artistic developments of the 20th century. By cutting back and forth between avant garde composers, Kraftwerk’s innovative synthesizer drones, Giorgio Moroder’s glacial euro-disco, Afrika Bambaataa’s electro-funk and Prodigy’s current worldwide superstardom, ‘Modulations’ celebrates, replicates and illuminates the nomadic drift of the post-human techno sound.

Lucky People Center International
Johan Soderberg, Erik Puaser, Sweden, 1998

This cult film was made by a music and art collective that have expanded from their roots in cutting-edge dance music and multi-media live gigs in Scandinavia to traversing the globe making this breathtaking feature film. Two years in the making, it is a glorious celebration of the power and rhythm of dance as a medium for spiritual and sensual bliss. Capturing a heady mix of distant tribal ceremonies, sexual healers, meditation rites with current movements in the world of performance art and protest culture it forms a convincing picture of a better more enlightened world.

Pioneers : Brian Eno

The godfather of ambient who needs little introduction. Apart from working with the likes of Bowie and U2, Eno opened up the art world for dance musicians with his installation work in the 70s. Today ‘chill out’ music has expanded to embrace a plethora of styles and innovators from the leftfield to the cutting edge, and wide open musical & artistic agenda epitomised by events like the Big Chill, from where Mixmaster Morris reports.

VJ Big Child

Remember Bagpuss,The Clangers,The Flumps, or Chorlton and The Wheelies? VJ Big Child reacts to modern, loud, ‘watch-it, buy-it’ hypermarketed Children’s TV and reminds us of a more soulful era when the subliminal messages were positive and the programmes were gentle and peaceful.

LIVE:
Hefner (Inertia)

DJs :
Pete Lawrence
Kinobe
Sounds from the Ground
Diversity of Life
AJ
Steve Nickolls
Hillegonda

VJs :
Muffled Visions

291 Gallery, 291 Hackney Road, London E2

The Winter Festival in full

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BC Winter Festival 2000

March 28th, 2002 by

BC Winter Festival 2000The Big Chill Christmas Knees-Up
Saturday 9th December 2000

CLUB ROOM
London Elektricity (hospital recordings)
Paul Thomas
Andy Greenman

LIVE ROOM:
The Bays
Blue States
Discerning Ear Productions feat. Shur-i-kan

BAR:
Pete Lawrence
AJ
Legendary Jesse Bell

93 Feet East, 150 Brick Lane, London E1

The Winter Festival in full

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BC Winter Festival 2000

March 28th, 2002 by

BC Winter Festival 2000The Big Chill Winter Concert @ The Union Chapel
Thursday 7th & Friday 8th December 2000

LINE-UP
Tom Middleton’s AMBA live with The Joyful Company of Singers
The Joyful Company of Singers singing Andrea Gabrieli and Giovanni Gabrieli Christmas Motets
Piano Circus
DJ sets from Tom Middleton & Pete Lawrence
Visuals by Muffled Visions

The Big Chill returned to its original and much loved home – the Union Chapel – to present a Winter Concert supported by the London Arts Board.

At the heart of these two evenings was a unique live performance by Tom Middleton’s Amba of new and reworked pieces for a 40-piece choir backed by an electro-acoustic ensemble. This was composed, arranged and scored from within the chapel itself to optimise the acoustics and create an emotive and powerful listening experience. With a new arrangement of Global Communications seminal ambient work ‘Ob Selon Mi Nos’ and the epic lullaby ’12:18′ finally performed as a choral work as it was originally intended, this was one of the Big Chill’s most memorable events.

Union Chapel, Upper St, Highbury Corner, N1

The Winter Festival in full

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